Stag and Dagger, Glasgow, 5th May 2019

It’s been aaaaaaaages since I wrote about a gig.  I did go and see Chvrches a few months ago but I went along with what I thought was a bad cold, but turned out to be full-blown flu, so I wasn’t in much of a state to write about it afterwards.  They were amazing by the way, Lauren Mayberry is phenomenal and she and the band exceeded my expectations several-fold.   I also had tickets to the Twilight Sad but didn’t make it because my daughter had just come out from a short hospital stay.  Buuuuut, May is my birthday month and thankfully a whole bunch of shows were announced to end the gig drought.

I went to Stag & Dagger 3 years ago and had a blast. I kept an eye on the line-up for the previous 2 years but nothing stood out for me.  This year it looked a whole lot better and being only 2 days after my (scary big) birthday I decided it was time to return.

Suitably fuelled up, we dropped into the Garage to collect our wristbands and venue guide with stage times. Unfortunately I managed to give myself a paper cut retrieving the programme out of my back pocket which wouldn’t stop bleeding and had to cadge a bright blue plaster of the staff in Costa’s.  Always glam and dressed to the nines, me…

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As it was still fairly early in the day, only 2 of the venues were open.  After a quick Google & Spotify search on the bands on offer (neither of us had gotten round to doing any research on the unknowns prior to the day) we first tried to get into Nice n Sleazy’s but found it was already full, so we popped next door to Broadcast and came across a band called Pleasure Heads. The place was also packed.  We assumed because other eager music lovers such as ourselves had got there early and were crammed into the only place letting folk in, but we soon discovered that Pleasure Heads have a whole lotta fans who like to sing along at the tops of their voices.  I liked the sound of the band.  After a few songs-worth time of a comparison nagging at me, I realised they somehow reminded me of the Manic Street Preachers.  I couldn’t exactly say why, but this is definitely a good thing.  My only slight downside was that I felt the singer’s vocals were a bit shouty, but this could just have been the venue/circumstances/reaction to the crowd joining in.  Overall I liked them, although I couldn’t see them at all, positioned as we were just by the stairs in our own little weather system with cold air from outside meeting the very hot air from the small packed room.

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Pleasure Heads. Somewhere. Honest.

A quick drink pit-stop later, we made our way over to the Garage to see 2 of the bands that were on my To-See list, Honeyblood and Dream Wife.  Honeyblood had been vaguely on my radar for a while but have been getting a fair bit of 6Music radio play recently.  I was convinced that I had seen Dream Wife before, but couldn’t remember where or when.  In any case,  I had been listening to their stuff online for about a year or so.

Honeyblood were very good.  Loud, not afraid to rock out, but with beautiful, occasionally delicate lyrics and melodies.

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Honeyblood

Dream Wife were something else. Full of lively stage presence, they captivated the whole room and quickly had us under their command. Their songs were catchy, infectious and uplifting.  Lead singer Rakel engaged constantly with the crowd, encouraging participation, throwing teasing looks and then the next second delivering a stark warning to anyone who dared to get in the way of her “bad bitches”, the group of girls she drew, pied-piper-like down to the front for a safe, respectful mini-mosh.  The mosh kinda failed, but you couldn’t fault her enthusiasm and charisma.

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Dream Wife

After a stroll back through town to pick up a free birthday burrito, we headed back to the festival area for Pip Blom.  I had heard them, again on 6Music (god bless my car’s digital radio), and was interested to see what they were like live and to hear more from them. They were playing in the CCA, which had pressed one of the larger halls into service, maybe to compensate for the lack of ABC.  Maybe it was the less-than-optimal venue, maybe it was that we were still riding the wave from Dream Wife, but Pip Blom just didn’t hit the mark.  They were good enough, but not very….interesting.  There was nothing to pique my interest or make me get an insight into what their USP might be.  It was all a bit samey.  That was until the guitarist started singing.  His mic was for some reason turned up about 8 notches louder than everyone else’s, which jolted everyone every time he piped up.  My friend had to leave a bit early to get her train, I thought they got a bit better on the last 3 or 4 songs, the sound a bit grungier, but I was still a bit disappointed.

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Pip Blom

All in all, it was a good day and night.  I really like the way you just flash your wristband and can dip in and out of any venue, seeing any band that takes your fancy or discovering new ones along the way.  And given that it was bloody freezing, I was most definitely glad it was an indoor festival.  I’m glad I finally saw Honeyblood live and Dream Wife were awesome and my highlight of the day.

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Stag and Dagger, 1st May 2016

I had never heard of Stag and Dagger, but when We Are Scientists announced that they’d be playing at it this year, I was of course going to check it out. It’s one of those multi-venue indoor city festivals. An indoor festival in Glasgow makes a lot of sense at any time of the year.

Once the rest of the programme was announced I was disappointed that I didn’t recognise too many other names on the bill, and that WAS were not even headlining one of the venues. Oh well, times change, and for me it would be a good chance to discover some new music.

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I wasn’t able to get there too early but arrived in plenty time to pick up my wristband and catch the band on before WAS, which was GUN. Gun/GUN are old school Scottish country-ish rockers. They were good (reminded me of one of my favourite Frasier quotes when Roz tells her sister “For your information Classic Rock is both classic and it rocks!”) but had the same problem I find with most straight-forward rock music – it can get a bit dull and predictable. They were clearly very experienced and talented musicians, and the lead singer had swagger in buckets but for me it was missing something. It was also strange to hear a band from the era when singing in an American accent was de rigeur, even if you were from Coatbridge.  I’m so used to hearing the likes of Biffy Clyro and Twin Atlantic comfortably singing in their own accents that it was bizzare to remember that once upon a time not too long ago people affected the other to be taken seriously. And I suppose if you have adopted that for a number of years you can’t very well change suddenly.

 

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Gun

So, the older demographic classic rock crowd dispersed and the younger indie crowd filtered in, as well as the ones who were getting in early for the later bands. I had loitered at the back for Gun, but took up my usual position at the front for WAS. I’m going to try to hold back on the WAS -love cos at the time of writing I’m en route to see them again in a stand-alone gig in Manchester, so will likely write about that too. (I did – find it here) So We Are Scientists highlights – new stuff sounds WAY better live (I hate that this is the case cos not everyone gets the chance to see them live and experience the full force of live versions) I love the edgier, harder sound, old stuff re-worked is immense, they opened with a killer version of The Scene is Dead and we got a banging new version of Impatience too. Other Keith is their best drummer yet (Ok, I never saw Tapper but we can be pretty sure he’s not coming back) I really hope they keep him, I love the different quality he brings and he looks like he’s having a blast doing it. It was Other Keith’s birthday the next day, so Original Keith led us all in a rendition of Happy Birthday.

 

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We Are Scientists

 

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Keith Murray

 

They only had a 45 minute slot but jam packed it full of oldies, a few from Barbara, and 3 new songs from the new album – Buckle, In My Head and Classic Love.

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Keith Carne and Chris Cain

I had a bit of time before the next band I wanted to catch, so I hung around at the venue a bit in case any of the band were around. Original Keith and Chris came out but were in a rush to go and get some food so didn’t stay. A few people caught them and asked for photos, I ended up taking a group photo for someone but didn’t get to speak to the guys at all. I was just about to pop into a shop to get a snack to fuel me for the next couple of bands when I saw Other Keith heading towards me.  He remembered me from the last couple of times in Glasgow (read all about them here and here) and we had a quick chat about the new record, his dad (hi Tom!) his Scottish roots and birthdays. I told him I was going to the Manchester gig so would see him again soon.

Next up was We Were Promised Jetpacks (best band name ever) at the Art School. I honestly can’t remember if I’ve seen WWPJ before. I have a vague recollection of looking for them at a festival or some event. In any case, they are a band that have been on my radar to check out properly. The Art School was packed, so I was glad I got there early. I took a position leaning against the sound booth. Not a great vantage point but I was tired and thought I might have to sneak out a bit early to make sure I got in to Slow Club later on.

 

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We Were Promised Jetpacks

 

WWPJ were really good. I have no idea if they were playing old stuff or new stuff, but they clearly have their dedicated fans who were loving every minute of it. I could have done with a bit longer to really get a feel for them and how they were different from other Scottish indie-rock bands, but I liked the sound of them, especially the more sweeping, landscape-evoking ones.

I was keen to catch Slow Club because I’d heard a few friends talking about them and I had a quick Spotify listen and really liked their sound. So it was over to the CCA for this one, by now I was really digging the indoor-ness of this festival due to the intermittent Glasgow rain and it was cool to just flash a wristband and take your pick of small venues and different bands. The CCA was surprisingly empty for a headliner but Slow Club were very impressive. 1 girl, 1 guy, a couple of guitars and a keyboard. They sang beautiful melodic songs of love and loss and actual hunger, as was explained. They were funny, cool and magical. It was such a chilled out way to end a busy day of very different kinds of music.

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Slow Club

So all in all it was a successful day, a rocking We Are Scientists gig, and finally getting to see 2 other bands that I had been meaning to catch for a while.  The format of the day was well planned, all smallish venues around Sauchiehall Street as well as the ABC as the focal point. I’ll be keeping an eye out next year and even if I don’t immediately recognise names I might just go along anyway, I’m always on the lookout for new music.

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